Pintura Identificación:: 528
Nativity Navidad 1490
Musee des Beaux-Arts, Lyons 1490 Musee des Beaux-Arts, Lyons 1460-1535
Italian
Lorenzo Costa Locations
Pintura Identificación:: 29717
Nativity la Natividad mk67
Tempera on panel
18 1/2x9 7/8in
la Témpera mk67 en el entrepaño 18 1/2x9 7/8in Italian Painter , 1330-1399
Pintura Identificación:: 29824
Nativity la Natividad mk67
Oil on panel
7 11/16x3 9/16in
Uffizi,Gallery
el Petróleo mk67 en el entrepaño 7 Uffizi 11/16x3 9/16in, la Galería b. 1473, Firenze, d. 1517
Italian Mannerist/Baroque Era Painter, ca.1535-1612
Pintura Identificación:: 30532
Nativity la Natividad mk68
Oil on canvas
4'4 1/2x3' 5 1/4"
Madrid.Prado
1597
Italy
el Petróleo mk68 en la lona 44 1/2x3 5 1/4 Madrid.Prado 1597 Italia Italian Mannerist/Baroque Era Painter, ca.1535-1612
Pintura Identificación:: 40223
Nativity la Natividad mk156
1470-75
Oil on panel
124.4x122.6cm
mk156 1470-75 Engrasan en el entrepaño 124.4x122.6cm Italian Early Renaissance Painter, ca.1422-1492
Pintura Identificación:: 40323
Nativity la Natividad mk156
1520
Oil on panel
105.5x70.4cm
mk156 1520 Engrasan en el entrepaño 105.5x70.4cm German
1485-1545
Hans Baldung Grien Galleries
Italian Early Renaissance Painter and Sculptor, 1439-ca.1501
Pintura Identificación:: 63084
Nativity 1488-94 Fresco, 443 x 552 cm Sant'Agostino, Siena Francesco di Giorgio painted two scenes, the Nativity and The Birth of the Virgin, for the decoration of the chapel of family Bichi. Executed with a particular grisaille technique, the frescoes are the culmination of the artist's career as a painter. Artist: FRANCESCO DI GIORGIO MARTINI Painting Title: Nativity , 1451-1500 Painting Style: Italian , , religious Italian Early Renaissance Painter and Sculptor, 1439-ca.1501
Pintura Identificación:: 63947
Nativity 1452 Wood, 85,5 x 54,8 cm Groeninge Museum, Bruges The two panels by Christus, the Annunciation and the Nativity were quite badly worn, but painstakingly restored. Both of them are signed and dated (1452) and were probably painted as part of a triptych or polyptych. They reveal Christus as a precise designer of space and moulder of volumes. The figures in the Annunciation resemble statues arranged in a geometrically constructed show-case. It is the first painting in the Netherlands with a correct central perspective. , Artist: CHRISTUS, Petrus , Nativity , 1451-1500 , Flemish , painting , religious Netherlandish Northern Renaissance Painter, ca.1410-1473
Pintura Identificación:: 64138
Nativity 1500-05 Oil on oak panel with integrated frame, diameter 27,7 cm Sint-Janshospitaal, Damme This little work is a copy of Memling's Nativity in Cologne (Museum fer Angewandte Kunst) turned into a tondo. Both the composition and the colour scheme correspond. Joseph is wearing a red cape and Mary a dark blue one (which has now almost turned black) with a white garment underneath. This suggests that the prototype was still to be seen in or around Bruges. A few smaller details have been altered: the donkey is turning towards its manger on the right and the Virgin has a round aureole and a dark border to the neckline of her garment. Both these last details point to the early sixteenth century. , Artist: UNKNOWN MASTER, Flemish , Nativity , 1501-1550 , Flemish , painting , religious
Pintura Identificación:: 64145
Nativity 1475-1500 Oil on oak panel, 35,8 x 30,5 cm Detroit Institute of Arts, Detroit The composition was inspired by the central panel of the Bladelin triptych (Berlin, Staatliche Museen) by Rogier van der Weyden. But as with Memling, the Virgin is here in an attitude of prayer (Nativity, Prado, Madrid; Floreins triptych, Memlingmuseum, Bruges). Formerly attributed to Van der Weyden and the Master of the Legend of St Catherine, it came to be regarded as a Bruges work by most art historians who expressed a view about it. , Artist: UNKNOWN MASTER, Flemish , Nativity , 1451-1500 , Flemish , painting , religious
Pintura Identificación:: 64177
Nativity 1400 Tempera on wood, 33 x 21 cm Museum Mayer van den Bergh, Antwerp This small panel originally belonged to a polyptych which was probably conceived as a portable altarpiece or devotional painting, as it could be folded up to a size that would fit readily into a small box or leather pouch. Other panels from the polyptych representing St Christopher and the Resurrection are also in the same museum. The iconography of St Joseph in the Nativity panel is unusual. What we find here is the story of 'Joseph's stockings'. Jesus' father sits at the bottom of the panel, cutting up one of his leggings. Certain Middle Dutch and German Christmas carols tell that the Christ Child was swaddled in cloth cut from this undergarment. Aachen Cathedral once owned a relic said to be 'Joseph's Stockings', which were the subject of intense veneration in around 1400. It is likely, therefore, therefore, that this little panel was produced in the Aachen area (or at least the region between the Meuse and Rhine), probably some time around 1400. , Artist: UNKNOWN MASTER, Flemish , Nativity , 1401-1450 , Flemish , painting , religious
Pintura Identificación:: 64990
Nativity 1200-50 Wood Museu Nacional d'Art de Catalunya, Barcelona The picture shows a detail of an altar frontal from Betese (L?rida). The Neo-Byzantine style of the first half of the thirteenth century is evident in the altar frontal Betesa. This example is from Catalonia, since work of this kind is seldom found in Aragon and Castile. , UNKNOWN MASTER, Spanish , Nativity , 1201-1250 , Spanish , painting , religious
Pintura Identificación:: 83582
Nativity Date 1520(1520)
Medium Oil on wood
Dimensions Height: 105.5 cm (41.5 in). Width: 70.4 cm (27.7 in).
cjr German
1485-1545
Hans Baldung Grien Galleries
Pintura Identificación:: 86858
Nativity Date 1523(1523)
Medium Oil on wood
Dimensions Height: 46 cm (18.1 in). Width: 36 cm (14.2 in).
cjr Italian
1480-1556
Lorenzo Lotto Galleries
Pintura Identificación:: 88441
Nativity between 1484(1484) and 1490(1490)
Medium Oil on oak
cyf Netherlandish Northern Renaissance Painter, ca.1460-1490
15 Master of Avila Nativity 1474-76 Oil on wood Museo Lezaro Galdiano, Madrid This is the finest work of the master, it forms part of a triptych as the central panel. The left panel was the Annunciation to the Shepherds while the right panel represented the Annunciation to the Magi. The composition follows the example of Gallego's paintings and the use of the cool colors
Pintura Identificación:: 89975
Nativity between 1474(1474) and 1476(1476)
Medium oil on panel
cyf 15 Master of Avila Nativity 1474-76 Oil on wood Museo Lezaro Galdiano, Madrid This is the finest work of the master, it forms part of a triptych as the central panel. The left panel was the Annunciation to the Shepherds while the right panel represented the Annunciation to the Magi. The composition follows the example of Gallego's paintings and the use of the cool colors
Pintura Identificación:: 94644
Nativity 1427-1428
Type Tempera on wood
Dimensions 56 cm diameter (22 in)
cyf Italian Early Renaissance Painter, 1401-1428
